Dia Frampton Talks Her Career and Roles
Richard speaks with Dia Frampton about some of her experiences with acting and music.

It’s off to ballet school – with a difference! – where a fine collection of the hottest, horniest dancers are limbering up for the performance of a lifetime ... all in front of the camera, with their hard cocks out and their hungry mouths and asses ready for action! In fact, dancing never really cums into what goes on at this academy. Instead, these boys parade themselves for your entertainment in the clear hope of raw, unbridled fornication, which (lucky for them – and you!) is very much the only show in town. Billy Elliot, eat your feckin’ heart out!
Richard speaks with Dia Frampton about some of her experiences with acting and music.
Director Martin Scorsese broadens his boundaries from mafia-driven movies, to a Buddhist biopic of the 14th Dalai Lama. While Buddhism strives for peace, ‘Kundun’ reveals the violence inflicted on Tibetan Buddhists and Scorsese’s depiction of violence does not stray away.
Many call 'Tragedy Girls' a modern-day 'Heathers', and I do see the resemblance. The film asks the same question that all teenagers suffer with: who am I? Well, the movie answers this — you are your online presence.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
Haven't you heard? There's a new horror subgenre: cerebral gore, that's probably been around for decades and we're now just starting to talk about it.
A pop star at Radio City Music Hall gets the opportunity to change herself to save her music career.