We Are Pat (2025): Reclaiming a Controversial 90s Icon
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.

A young couple go to the carnival. After some savage heavy petting they meet a sinister fakir who offers to sell them Truth for six sous. A set of uncanny events follow. At worst 'avant-gardist' in the extreme, at best the counterpart to Cœur Fidèle's 'fête foraine' sequence after the abolition of melodrama. Excellent black screen cutting and chaotic camera shaking characterize the style.
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.
Much more than a meme, 'Barbenheimer' actually diversifies viewer bases and spreads the important message of both films wider than they otherwise would have!
The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.
Billy Eichner provides a hearty dose of good old fashioned romance with a lot of laughs
Battles will come and go and queer people do die for their identity and fights for rights, but that doesn’t mean the gays don’t deserve their happy endings in stories.