Will Begins His Musical Journey in A Week Away
For a troubled teen, Will discovers what is important in life when he attends a summer camp: the people who care about his well being.

When an extraordinary new resident – Balakrishna, an Indian elephant – arrived in the town of East River, Nova Scotia, in 1967, no one was more in awe of the creature than young Winton Cook, who became inseparable from his mammoth new friend. Using painterly animation, photographs and home-movie treasures, Balakrishna transmits the wistfulness of childhood memories, while evoking themes of friendship and loss, and issues of immigration and elephant conservation.
For a troubled teen, Will discovers what is important in life when he attends a summer camp: the people who care about his well being.
Netflix’s new comedy drama, Don’t Say Good Luck, is a heartwarming tearjerker as well as a love letter to the transformative power of being a theater kid. Directed by Julia Hart, Don’t Say Good Luck follows Sophie (Sunny Sandler), a theater kid who finally gets the lead role in her school’s production of Waitress - just as she finds out her mom Elizabeth (Melanie Lynskey) is dying of cancer. While the singing is by no means spectacular and Sandler’s acting is stiff, the film is grounded in the moving performance of Lynskey as a mother who wants nothing more than for her daughter to achieve her dreams, even if she can’t be there to see them.
At this time, there are 29 films in the Marvel Cinematic Universe's epic multiverse of superheroes and villains. The MCU has become quite marvelous indeed, with Shang-Chi and the Legend of the Ten Rings as the newest one. There are so many interwoven stories, themes, character arcs, timelines, and dimensions! In order to keep track of the MCU saga and figure out what to watch when, here’s a list of those that have come out -- as well as what's coming up! With links to the Incluvie movie - plus related articles and Incluvie scores.
If you've watched 'Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles', you are either someone who believes “nothing happens” in this three and half-hour film or you’re like me who believes everything happens.
From its visually stunning opening credits, which show women dancing through a forest to musical rhythms that sound almost primal, to its quiet, heartbreaking final frame, Mona Fastvold’s historical rendering of the Shaker religious movement is an experience that will stay with me for a long time.
At first glance, one wouldn't think John Carpenter's cult classic would be a thematic double-billing - or that Free Guy would be worthy of being mentioned in the same sentence as They Live - but the two films of vastly different genres have more similarities upon further examination.