Hikari Ota, Tomoyuki Akaishi, Ryoichi Kato
Director
Koasa Shunpūtei
Genkichi Konishi (segment "泊ったら最後")
Kimie Shingyoji
Otome Konishi (segment "泊ったら最後")
Mitsuyo Ohta
Tsuyama Naoko (segment "泊ったら最後")
Yûji Tanaka
Hiroshi Takahashi (segment "泊ったら最後")
Masato Hagiwara
Keizo Nagao (segment "泊ったら最後")
Higa Hitomi
Kura Nishi Yoko (segment "泊ったら最後")
Kenji Sawada
Hajime Shiraishi (segment "カラダだけの男")
Miyuki Matsuda
Hajime's Wife (segment "カラダだけの男")
Isao Bitō
(segment "カラダだけの男")
Kenjirou Ishimaru
(segment "カラダだけの男")
Hiroko Isayama
(segment "カラダだけの男")
Yes, "Nope" is definitely about the modern obsession with turning tragedy and horror into a spectacle for people’s enjoyment. But it's also about the power of looking, who has the right to look, and what happens to those who are looked upon.
Amsterdam is a confusing movie with a meandering plot amidst a beautiful rendering of 1930s New York
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'Zero Refills' highlights the despicable treatment of the less fortunate by healthcare providers and big pharmaceuticals.
In the LGBTQ+ holiday rom-com wars, 'Single All The Way' may or may not be the “answer” to 'Happiest Season.'
During the third act, the momentum stalls, largely due to the film’s obsession with Kubrick’s visual design. But all in all, Doctor Sleep is a cinematic success, defined by rich characters and high powered emotion.