Why "People We Meet On Vacation" Did Not Meet Its Full Potential
Emily Henry’s adaptation reaches romance movie standards, but not romance reader standards.

In the Brazilian megacity São Paulo athletes from around the world run the traditional New Year's marathon. At the same time in an Amazonian jungle backwater 19-year-old Jô is running like a world champion. He has skipped town with the generous New Year's collection from the church and is being followed by the out-of-breath town sheriff Rui, a fan of the marathon. By pure luck he manages to capture Jô. Rui may have missed the race on TV, but not talented runner Jô. In the cell sit Jô and a dream. He trains Jô for a year until he is at his peak performance. They then make the long journey to São Paulo. Sheriff Rui sends his prisoner and marathon man Jô into the big race, the legendary New Year's marathon of 1999, the race into the year 2000. Surprises await.
Emily Henry’s adaptation reaches romance movie standards, but not romance reader standards.
'Legally Blonde' remains a standard of feminist filmmaking over two decades after its release, although its poor treatment of racial and sexual minorities make it a product of its time.
I hate the idea that animation’s for kids; just because it’s animated doesn’t mean that it’s some silly cartoon and shouldn’t be taken seriously.
An animated reboot based on the book of the same name, with differences from the live-action movie of the same name.
This showcase of Hollywood’s finest talent will certainly be around come awards season, and much deserved
There's no hiding the horrors of war in this inspiring story of survival