"Outerlands" Provides Community in Unexpected Places
Intergenerational friendships and community can be so powerful, and this was a great example.

Caught in the web of inner city violence, extortion and drugs, Dean Costello is a small-time gangster with big-time dreams for himself and his autistic son, Shane. When his marriage to Ludy falls apart the doctors tell Dean that there is no hope for his son, he turns to a wealthy child psychologist, Stephanie "Stevie" Bloom in a final effort to reach Shane. Stevie tries to convince Dean that he must commit himself to Shane and leave behind his life on the streets. But Dean's violent world continues to haunt him, and threatens to destroy the dreams he has for his son, for himself, and for Stevie. In a final battle, he must face overwhelming odds... alone.
Intergenerational friendships and community can be so powerful, and this was a great example.
The newest Pedro Almodóvar movie, Pain and Glory, focuses on an aging and debilitated filmmaker, Salvador Mallo (played by Antonio Banderas) reflecting on his life in his old age.
Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.
A sweet slice-of-life anime that visualizes all the ways we creatively hide our vulnerabilities from the world.
A quiet film that does not demand your tears but earns them. It explores love that lingers, timing that fails, and the silence between what was and what could have been.
The film didn’t have to be as long as it is. It just dragged on and on with scenes that had no substance. Every so often we get an action scene, and even those isn’t that fun.