“I Care A Lot” is Subversive Anti-Capitalist Camp Brilliance
A commentary on the exploitation of the elderly fueld by the inherent greed of capitalism.

A man, old, decrepit, terrified, in a house with his friend Goran. Outside he wanders aimlessly, seeing enemies in both neighbours and foreigners. Ena, a journalist, arrives in the village, to film a story on heritage guardians. Through her camera lens she discovers a strange Man, secretly watching. His „hiding place“ has been exposed. Ilness and reality clash. In the house a threat appears, a wartime lover, with the message that the devil has come to collect his due. A stormy night and fateful encounters. To run or to fight and face it all? And return?
A commentary on the exploitation of the elderly fueld by the inherent greed of capitalism.
Rare in the days of franchise sequels and indie horror films that dominate the screen in 2026, Netflix’s latest original release, Remarkably Bright Creatures, is a feel-good family movie that leaves nothing to be desired except tissues. Starring Sally Field and Lewis Pullman as two cleaners at a small-town aquarium, Remarkably Bright Creatures reminds viewers that humans are social animals whose strength comes not from our intelligence or our opposable thumbs, but from each other.
Why did Māhū, a term once respected in Hawaiian culture, become so controversial?
A pampered dog who gets lost and has to learn to live on his own while being flexible with surroundings.
As noted in the headline, I didn’t like this movie. Not to say it’s the worst thing ever, but it’s just…meh. Nothing much to it. Very generic. No surprises. At the very least, the cast is diverse so I’ll give it that.
A surprise sequel takes place ten years after the original movie based on the title of the same name, but with a twist to the fairy tale.