Babes in Arms (1939)

Nick Rowland’s She Rides Shotgun is a blistering, blood-soaked road thriller that doubles as a bruised love story between a haunted ex-con (a career-best Taron Egerton) and the daughter he barely knows (astonishing newcomer Ana Sophia Heger). Fueled by white-knuckle chases, razor-tense shootouts, and quiet moments of aching tenderness, the film captures both the terror and fragile beauty of survival. It’s gritty, heartbreaking, and unforgettable—a father-daughter odyssey destined to leave audiences shaken.

"Boston Strangler" pulls the curtain back on a well-documented historical moment involving significant contributions from women reporters. 

The roaring emotional ride that was the season four finale sets June on a new path: more of a Survivor's Journey. 

For a troubled teen, Will discovers what is important in life when he attends a summer camp: the people who care about his well being.

The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.