“Onward” and Upwards!
Ian and Barley embark on a quest to find a magical gem to restore their father back to life.

Benoit and Catherine, a couple in their late twenties, go to his parents’ house for dinner. It is with surprise and apprehension that they learn that their whole family has been invited for supper and that the evening may not go as planned.
Ian and Barley embark on a quest to find a magical gem to restore their father back to life.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
Rather than focusing on the bleak, cynical aspects of life post-pandemic, the focus is optimistic and hopeful.
A Christmas tale that everyone is wishing for, and that everyone will remember.
The animated musical adventure beings fantasy and magic to viewers as they follow Keegan and Moya.