This Year, 'Mickey Saves Christmas' for the Kids
An animated short film that never gets old, especially with iconic characters from the Disney series.

Mia Moolman works for a Sandton-based event coordination company that has been commissioned by the department of Trade and Industry to create an event celebrating the most successful ad campaigns in South African history. The gala event will happen at Emperors Palace, and the CEO of the company, Theodore, has asked his employees to pitch ideas for the show and whoever comes up with the best idea will be awarded a promotion and a special bonus. Mia comes up with the idea to make the three guys from the old Castrol commercials, Boet, Swaer and Mogae, part of the show. Her boss eventually agrees to this, but Mia must go and find them in the Kalahari and bring them to Emperors Palace in time for the big gala event. Will she get them to the big show in time?
An animated short film that never gets old, especially with iconic characters from the Disney series.
Wilde’s coming-of-age comedy directorial debut is simultaneously hilarious and entertaining, and remarkably heartfelt and relatable.
It doesn’t offer an absolute answer for the dialectical ethical questions that emerged in search of justice but portrays the characters as living people beyond the identities of victims.
The second episode of the highly anticipated Afrofuturism series delivers with a high-speed race teaching us to go far beyond just accepting ourselves.
This spin-off series follows the adventures of Kitty Covey, Lara Jean's younger sister from the "To All the Boys" film franchise.
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.