Baalu Belagithu 

Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.

The latest installment in the beloved media franchise is a unique stylized mesh of humor and heart.

Hours before their line-up of screenings for Trans Awareness Week began, the filmmakers of 'When Men Were Men' chatted with me about the film's personal exploration of masculinity.

While the director didn't set out to make a feminist film, "A Girl Walks Home Alone At Night" reads as a reclamation of female power in a patriarchal society.

I think these messages and the way they are presented in this small-town in Texas are increasingly more important as the internet/ social media becomes more and more critical and judgemental every day. Love yourself today and every day because as Ru Paul always says: “If you can’t love yourself, how in the hell are you gonna love someone else?”

As many of us know, Marvel Studios has taken an interest in women-led superhero films, but some of us are oblivious to the women behind the camera and pen.