'How Power Looks' — MiamisFF Review
Praising Black representation and condemning the power structures that suppress it, a mother delivers an impassioned speech to her distant son.

From spinning paper guns to pulsing television screens, from zooms, crosscutting and painted film surfaces to burning paper, Jeff Keen uses all the effects at his disposal to make a series of extraordinary animations where movement is never allowed to stop.
Praising Black representation and condemning the power structures that suppress it, a mother delivers an impassioned speech to her distant son.
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.
The venn diagram of pop feminism and white-centered feminism is a circle. Acknowledging that is not a crime nor a diminishing of 'Barbie', Director Gerwig, or feminism in general.
Birds of Prey has some of the best stunt work and choreography of 2020, and was the most fun I’d had in an action film since John Wick 3.
'Legally Blonde' remains a standard of feminist filmmaking over two decades after its release, although its poor treatment of racial and sexual minorities make it a product of its time.