Another Simple Favor: Secrets, Style, and a Sip of Queer Representation
Emily and Stephanie are back... just add gin and drama.

The adventure of a film that uses the real as matter, needs to keep an eye on any detail, any sign that would occur in the course that runs from the first take to the last final choice of editing, because each small event, each causal chain or each flashing chance, will determine the form and content of the film which at the beginning was only a possibility, a simple idea: make a film about the origins of jazz using as a backdrop its most important contemporary expression forum.
Emily and Stephanie are back... just add gin and drama.
Neo Sora left a realistic and yet hopeful notion for the near future and the now.
This is a film that is going to leave some people bored, and some people thrilled.
I’m disappointed in The Woman in Cabin 10, but that’s at least in part because of my love of Ruth Ware’s novel.
The problem isn’t that it’s bad. It's good. But it fails to stand out from a crowd of similar films.