Kurosawa’s ‘Ikiru’ Comes Back to Life in ‘Living’
'Living' dives into many themes that we can all understand regardless of our cultural backgrounds. We can see this through the shared similarities between 'Ikiru' and 'Living'.

After turning away from her Turkish family, young Ayla works as a kindergarten teacher and enjoys the liberties of being single. When she meet photographer Ayhan, she ignores all qualms and falls head over heels in love with him. Then Hatice, the mother of one of the kindergarten kids, is desperately seeking Ayla′s help: Hatice is living in fear since she has decided to divorce her husband, thereby enraging her strict Muslim family. Ayla takes her and the kid in, only later realizing that Ayhan is one of Hatice′s brothers.
'Living' dives into many themes that we can all understand regardless of our cultural backgrounds. We can see this through the shared similarities between 'Ikiru' and 'Living'.
A Girl Walks Home Alone At Night, though its feminism may be unintentional, cannot exist without its focus on women reclaiming power. The movie is feminist by definition, even if Amirpour didn’t write it with that in mind. A Girl Walks Home Alone At Night is mesmerizing, poetic, and stunning, both for its portrayal of feminist ideas and its powerful story that is both horrific and subtly romantic at once.
If you enjoy the bizarre, silly and entertaining world of the horror B-movies and want a break from the nuanced and poignant big budget horror releases, I have a list of gore-fests from the last ten years to enjoy this October.
Amsterdam is a confusing movie with a meandering plot amidst a beautiful rendering of 1930s New York
In the film adaptation, director Jon M. Chu turns each musical number into a massive show stopper, with grand set pieces and a wealth of diverse dancers. Yet, in this attempt to show reverence for the people of the Washington Heights barrio, Chu, or maybe more specifically those in charge of casting, left out a crucial part of the community, Afro-Latinos.
Its predictability shouldn’t distract from the enjoyment that the pure cinematic imagination behind the camera elicits. It is a movie of crises both moral and mortal, oozing with CGI, and thoroughly enjoyable.