Ayhan ve ben
Explicitly discussing its own production and censorship at the hands of Turkish officials, belit sag’s Ayhan and me is an incisive, Farocki-like examination of the power of images, the roles and responsibilities of representation and sanctioned history-making, and the charged relationship between art and state control.
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Explicitly discussing its own production and censorship at the hands of Turkish officials, belit sag’s Ayhan and me is an incisive, Farocki-like examination of the power of images, the roles and responsibilities of representation and sanctioned history-making, and the charged relationship between art and state control.
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