Two mixed-race children of the US military in Taiwan, one speaking Hakka, the other Taiwanese. In the ruins of a former military dormitory, they speak slowly, uncovering a history their faces and languages could never fully inhabit, their memories moving like ghosts along the edges of history.
“Candyman ain't a 'he.’ Candyman is the whole damn hive." Candyman represents all Black victims of white supremacy, and this art form narratively conveys it in a succinct, adulatory way, the history of which is rare to find.
The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.
The Force Awakens is A New Hope 2.0, in essence. The story structure is virtually unchanged, marking a safe opening to the new trilogy.
An unlikely friendship changes the hearts of men, and helps a young boy come into his own.
In Tall Girl, Jodi learns to stand tall and find confidence within.
As a musical fan, I enjoyed the film and encourage anyone who likes dark humour and a bit of blood to give it a watch.
