The Nestenes have made the final connection.
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.
A trouble-making teenager spends the summer working at a Southern California beach learning about responsibility.
A boy named Max experiences adventure within his own house while staying home alone.
'Zombieland: Double Tap' was entertaining and fun at times, but not very evolved. It had poorly developed female characters and stereotypical characters of color.
One of THE most frustrating trends in the mainstream film industry over the last several decades has been the onset of comedy efforts that seem SO focused on being crude and/or gross-out in all ways possible. That, at least for me, makes them no longer funny.
