Dune (2021): An Islam-Inspired Theme With Powerful Aesthetics, but Reminiscent of Lynch
Villeneuve’s Dune is a masterpiece for its crafting process, but references to David Lynch's picture are sometimes too obvious.

In the 1990s, eight-year-old Agata leaves her Polish homeland to take a bus to Belgium by herself. Anxious about the journey, she begins to write a letter to her father who has stayed behind in Poland. When she drops her pencil and it rolls away, Agata is forced to overcome her shyness. Searching for it, she weaves her way between the rows of seats and plunges into a fantastical world inhabited by strange half-human, half-animal passengers. Agata’s perceptions transform the reality of migration into an imaginative experience of initiation.
Villeneuve’s Dune is a masterpiece for its crafting process, but references to David Lynch's picture are sometimes too obvious.
This is not a story of oppression but a story of liberation.
A brief look at two Barry Jenkins films that have established him as one of the greatest filmmakers of our time.
It: Welcome to Derry proves you can have rich representation, real humanity, and still fully enjoy Pennywise terrifying kids in sewers.
Disney’s Hunchback of Notre Dame is a unique film coming from the same studio that brought us The Little Mermaid and Aladdin. While it does have its silly moments to maintain Disney’s family-friendliness, it also carries themes that stick to audiences years after its release.
'Motherless Brooklyn' is a 1950s whodunit made by its star, Edward Norton. Like most detective films in this setting, the cast is mostly white males (with a few notable exceptions).