Michel is a welder working at a shipyard in Brest. His wife died of cancer over a year ago and their 19-year-old son, Etienne, went to pieces and made off for Bogota. He hasn't been in touch for 6 months and Michel is desperate to find him. He leaves - without much money - arrives to Bogota and is mugged on the first day but manages to strike up a friendship with a Belgian girl who - reluctantly at first - helps him on his quest and eventually becomes a close friend. In an unbelievably short time, and following the flimsiest clues, he finds his son who has tried to find a new family among a white-clad Indian tribe in a near-accessible place. I won't spoil it by telling you any more - but there isn't much more.
I’m still trying to comprehend the psychological and moral implications of their fascination with each other, or why their almost written-in-the-stars depth of connection makes so much sense.
It is the attention to detail that makes Wolfwalkers resonate more than Luca for Queer representation
In Amazon’s new shark flick, The Devil’s Mouth, terrible tourists finally get their comeuppance while two estranged best friends must overcome their petty squabbles to survive as the rest of their party gets chomped one by one. While it’s by no means an Oscar winner, The Devil’s Mouth is good old fashioned shark week carnage with a tourist critical twist, perfect with popcorn, a friend, and a healthy does of schadenfreude.
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.
Here's what Disney got wrong with "Aladdin" and how it can avoid those pitfalls with "Hercules."
Dashing in December follows the tried and true outline of a traditional holiday romance, with a less traditional middle-aged gay couple as the film's romantic focus.
