Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
Atatürk II 1881 – 1919 poster

Atatürk II 1881 – 1919 

Mustafa Kemal had just begun his journey after proving himself in 1915 at the Gallipoli front. He would go on to face major battles on the eastern front against the Russians and later against the British in Syria, ultimately becoming the only Ottoman officer not to lose a battle during WW1. However, despite all his success, he would encounter an unexpected challenge upon his return to Istanbul.
- / 5
PopScore
Representation

Pictures and Videos

Incluvie Gala

Movie Information

Mustafa Kemal had just begun his journey after proving himself in 1915 at the Gallipoli front. He would go on to face major battles on the eastern front against the Russians and later against the British in Syria, ultimately becoming the only Ottoman officer not to lose a battle during WW1. However, despite all his success, he would encounter an unexpected challenge upon his return to Istanbul.

Rating:
Genre:History, Drama, War
Directed By:Mehmet Ada Öztekin
Written By:Necati Şahin
In Theaters:
Box Office:$2,200,000
Runtime:142 minutes
Studio:Lanistar Media, O3 Medya

Cast

Director

Mehmet Ada Öztekin

Director

noImg
cast

Aras Bulut İynemli

Mustafa Kemal Atatürk

cast

Songül Öden

Zübeyde Hanım

cast

Sarp Akkaya

Enver Paşa

cast

Esra Bilgiç

Madam Corinne

cast

Alican Barlas

Kazım Karabekir

cast

Berk Cankat

Ali Fuat Cebesoy

cast

Lidija Kordić

Miti

Articles You May Like

The Rise of a Kindhearted Comedy Hero: The Anti-Toxic Masculinity Message of Brendan Fraser Films

Throughout Brendan Fraser’s career, he has played a plethora of unique, layered characters who explore the importance of not being afraid to display your emotions, something that is often seen to not be a masculine trait. This idea of regulating emotion and what traits men are able to possess creates a toxic atmosphere for men who are often told they should not cry or represent their emotions in any physical way. These characters represent that men can be joyful, emotionally conscious, and sensitive, while also representing their masculine identity instead of painting those qualities as fighting against their masculinity.

Amanda Mazzillo