
A queer, dance-film adaptation of the Greek myth of Atalanta, the girl who can run as fast as the wind. Shot and edited entirely on super-8 film, on location in mythical San Francisco locations, the film was originally presented as a silent film with live orchestra and narration.
Billy Eichner provides a hearty dose of good old fashioned romance with a lot of laughs
Mai yells what every parent dreads hearing from their child: “tao ghét mày” (“I hate you”) and runs from the scene, where Hai discovers that Mai was telling the truth about the wallet.
Looking back at the representation of different cultures in the magical world of Harry Potter
... La huesera haunts her daily life, leaving people to question her viability as a mother, and Valeria’s lack of satisfaction with her life leave her asking similar questions. These misgivings reach their peak after the baby is born, when Valeria, visibly in a state akin to possession, locks her in the fridge when she won’t stop crying through the night
CODA' is about a child of deaf adults torn between staying with her parents and her dreams of pursuing music. This film is a step forward for deaf representation and disability in movies despite negative messages about the burden of actors deaf deafness.