Incluvie Film Fest 3rd Place Winner: ‘Warmth’ Review
This film is a splendid mix of mediums, but its strength lies in its simplicity and beautiful message of closeness.

In At Night I Fly: Images from New Folsom, inmates at one of California's most maximum security prisons let us see their world. This world is less about dangerous drama and more, as one of them describes, "about isolation. About closure of both the mind and the heart. And the spirit." The documentary shows prisoners, most serving a life sentence, who refuse such closure and instead work to uncover and express themselves. Their primary tool is making art and the film takes us to New Folsom's Arts in Corrections' room, to prison poetry readings, gospel choirs, blues guitar on the yard, and to many more scenes of creation.
This film is a splendid mix of mediums, but its strength lies in its simplicity and beautiful message of closeness.
Darren Aronofsky’s Caught Stealing is a gritty, darkly funny thrill ride through 1998 New York, with Austin Butler delivering a raw, magnetic turn as Hank Thompson—a washed-up ex-ballplayer turned bartender whose life implodes after cat-sitting for his punk neighbor drags him into a violent underworld of gangsters, crooked cops, and chaos. Brutal yet unexpectedly hilarious, the film blends noir grit with midnight-movie absurdity, proving Aronofsky can reinvent himself while Butler cements his status as a true movie star.
Steven Soderbergh’s Contagion is a fan-favorite, as are some of the more science fiction angled movies like 28 Days Later or World War Z. I recently watched the 1995 Wolfgang Peterson-directed movie, Outbreak for the first time, which is currently available on Netflix.
There were too many irrelevant parts that could have been shortened, and too many characters that didn't advance the plot. Either way, some things didn't add up. This was just another played out plot with little, if any, originality in it. By the end of the film, I wasn't happy that she finally got her freedom, I was happy that it was finally over.
Stevan Lee Mraovitch’s film is a beautiful tribute to family, found family, and the lengths people will go to support their loved ones.
A masterful portrayal of a long-forgotten story that needs to be told.