At Last 

Black Christmas movies are few and far in between to find — so it is wonderful to see more representation on the screen just in time

“Candyman ain't a 'he.’ Candyman is the whole damn hive." Candyman represents all Black victims of white supremacy, and this art form narratively conveys it in a succinct, adulatory way, the history of which is rare to find.

The more biting satire is reserved for those on top of the power structure, such as the police, while those occupying lower levels are given more nuance and likability, even if they operate on the wrong side of the law. This principle gives Deep Cover its heart. 

The relationship between Will and Sean is the best part of the movie. It’s always a delight to see Robin Williams on screen

Many have interpreted Maya Deren’s Meshes of the Afternoon as a dream sequence, but what if the repetitive scenes we are given are not dreams but, a time loop.

Eddington attempts to capture how media is intertwined with the uncomfortable present.