For many years, Nadja has worked as a housekeeper for an upper class Greek couple and their daughter. She’s allowed to feel like part of the family. When she’s diagnosed with a serious illness, and the man of the house runs into financial difficulties due to the economic crisis, Nadja loses her job. Yet she shows no external sign of how these two traumatic events have affected her.
Written and directed by Eva Victor, who also plays Agnes, the main character, Sorry, Baby is slow and artsy, but extremely effective. It shows how the trauma developed after a sexual assault has a ripple effect and loudly echoes in the victim and her life for years after.
Despite being an over-talked-about piece of media, 'Euphoria' has some interesting articles about it with personal angles that oppose the average tendency to be generic.
In ‘The Owl House’ protagonist Luz Noceda stumbles across a portal to another dimension where magic exists, called The Boiling Isles.
Here are some of our picks for inclusive Black love stories in film and media. We hope you enjoy these tender love stories and beautiful depictions.
Shudder’s Host (not a particularly original title, I must say) attempts to bring the spooks to “the quarantine generation” by presenting us with a scary Zoom call during lockdown.
A dynamic journey of self-acceptance and identity.
