‘Fast Color’: A Strikingly Different Take on the Superhero Film - Movie Review
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.

In a small Jalisco town, devotion to the Virgin of the Assumption shapes its identity. Through testimonies, reenactments, and modern festivities, this docudrama explores her spiritual and cultural impact, uniting a community through faith and tradition.
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.
The problem isn’t that it’s bad. It's good. But it fails to stand out from a crowd of similar films.
Alfred Hitchcock’s 1960 film "Pyscho" is an American film classic that still resonates today.
As a frequent “the book was better” extoller, this movie was well worth the watch.
Steven Soderbergh’s Contagion is a fan-favorite, as are some of the more science fiction angled movies like 28 Days Later or World War Z. I recently watched the 1995 Wolfgang Peterson-directed movie, Outbreak for the first time, which is currently available on Netflix.