Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

Emily has just started her job as a telephone psychic. Not that she is that spiritual herself, but she can use the money. So initially she does not really mind that the call center applies rather double standards. In her readings, Emily carefully follows the script formulated by the organisation. But during the conversations, she gradually discovers her spiritual side, as shown in this debut. Is there something supernatural, after all?
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
A high-octane spy thriller where Hrithik Roshan and Jr NTR’s clash brings explosive action, stylish direction, and emotional depth. Here’s my take on what makes it a must-watch in the YRF Spy Universe.
In Amazon’s new shark flick, The Devil’s Mouth, terrible tourists finally get their comeuppance while two estranged best friends must overcome their petty squabbles to survive as the rest of their party gets chomped one by one. While it’s by no means an Oscar winner, The Devil’s Mouth is good old fashioned shark week carnage with a tourist critical twist, perfect with popcorn, a friend, and a healthy does of schadenfreude.
Growing up without a dad, I got a lot of my fatherly advice from the prototypes I saw on the silver screen. It’s these characters and films that gave me a glimpse into a dynamic I had never known but also made me realize that I was missing out. Here are my top 10 paternal films.
Ripley is a great character because she serves two distinct, but rewarding, purposes in the original film and the sequel.
"The Old Guard" doesn't break ground, but it sure does bust boredom and fictional heads as an entertaining action romp on Netflix.