Assman 23 (2003)

This current year, as well as the past several, has seen a slowly building increase in something the horror genre has required for quite a while in this critic's opinion...originality. I've stated before that I am very hard to please when it comes to this vein of the film industry's offerings, always leaning more towards that which sends chills through my very being in lieu of buckets of blood and gore.

By undermining the appeal and credibility of black characters, the show compromises the very idea of diversity and representation it sets to promote.

It doesn’t offer an absolute answer for the dialectical ethical questions that emerged in search of justice but portrays the characters as living people beyond the identities of victims.

21 Bridges isn’t going to revolutionize action cinema. However, its action components are respectable. Every act is visibly clear, and as time moves forward, the film changes its conflictual rhythm.

David Fincher is back in his playpen, with a dark and chilling thriller.

In The Novelist's Film, Hong explores the meaningful things people share and inspire by virtue of simply engaging with one another.