Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

Assassins poster

Assassins (1990)

This darkly satirical musical reframes American history through the eyes of those who attempted – successfully or not – to kill US presidents. Structured as a surreal carnival sideshow, the piece weaponises American musical traditions – vaudeville, folk ballads, barbershop quartets, patriotic Sousa-style marches and Bacharach pop – to undercut the myth of the “American Dream,” exposing how frustration, alienation and entitlement can curdle into violence. By giving voice to figures from John Wilkes Booth to Lee Harvey Oswald, Assassins invites audiences not to condone their acts but to confront the unsettling continuity between personal disillusionment and national mythology, turning the musical stage into a mirror for America’s darkest obsessions.
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This darkly satirical musical reframes American history through the eyes of those who attempted – successfully or not – to kill US presidents. Structured as a surreal carnival sideshow, the piece weaponises American musical traditions – vaudeville, folk ballads, barbershop quartets, patriotic Sousa-style marches and Bacharach pop – to undercut the myth of the “American Dream,” exposing how frustration, alienation and entitlement can curdle into violence. By giving voice to figures from John Wilkes Booth to Lee Harvey Oswald, Assassins invites audiences not to condone their acts but to confront the unsettling continuity between personal disillusionment and national mythology, turning the musical stage into a mirror for America’s darkest obsessions.

Rating:
Genre:Documentary
Directed By:Jerry Zaks
Written By:
In Theaters:12/18/1990
Box Office:

Runtime:90 minutes
Studio:

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