'Slanted': If You Can't Beat Them, Be Them
A dynamic journey of self-acceptance and identity.

This darkly satirical musical reframes American history through the eyes of those who attempted – successfully or not – to kill US presidents. Structured as a surreal carnival sideshow, the piece weaponises American musical traditions – vaudeville, folk ballads, barbershop quartets, patriotic Sousa-style marches and Bacharach pop – to undercut the myth of the “American Dream,” exposing how frustration, alienation and entitlement can curdle into violence. By giving voice to figures from John Wilkes Booth to Lee Harvey Oswald, Assassins invites audiences not to condone their acts but to confront the unsettling continuity between personal disillusionment and national mythology, turning the musical stage into a mirror for America’s darkest obsessions.
A dynamic journey of self-acceptance and identity.
The definition of the word foul is “offensive to the senses,” which is a pretty good summation of the new Disney+ film, Artemis Fowl
As an extremely avid fan of DC’s animation, I’ve become familiar with the way the studio uses Batman as a bit of a Trojan Horse to introduce some of their lesser known characters.
Written and directed by Eva Victor, who also plays Agnes, the main character, Sorry, Baby is slow and artsy, but extremely effective. It shows how the trauma developed after a sexual assault has a ripple effect and loudly echoes in the victim and her life for years after.
In order to learn why an arguably outdated fanfic trope was resurfacing in the contact zone of popular culture, I dove into a vibrant trough of character development.
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.