Everyone’s Welcome in IT: Welcome to Derry
It: Welcome to Derry proves you can have rich representation, real humanity, and still fully enjoy Pennywise terrifying kids in sewers.

Punchy, misanthropic and darkly humorous, Ashley's provocative material tackles all sorts of hot topics from Brexit, the Palestine/Israel Conflict, to privilege and austerity. With a philosophical humour that sticks two fingers up at the intelligentsia, Ashley is the self proclaimed "Genocidal Liberal" who embodies the working class wit breathing life back into an apathetic world.
It: Welcome to Derry proves you can have rich representation, real humanity, and still fully enjoy Pennywise terrifying kids in sewers.
Mark Anthony Green was unable to connect all of the pieces in his debut feature film, leaving Opus as a middling entry in an already oversaturated genre.
The sequel following The Son of Bigfoot explores Adam's conflict of discovering his true identity as he tries to save a wildlife preserve.
When the retelling of the Cinderella fairy tale and a holiday spirit come together, viewers learn about class issues as well as perseverance despite setbacks.
The history of Hollywood is as ugly as it is beautiful. Most notably absent from Hollywood history are Black-produced films. “They’ve Gotta Have Us” explores the rise of Black cinema.
With the theme of unemployment, it presents a family fantasy anecdote rather the a comment on social problems.