The famous textile worker Natasha Abrikosova travels from Moscow to Tashkent to introduce the innovative method of the Vinogradovs at a textile mill (E. Vinogradova was the film's technical consultant). However, the director of the plant, Rizaev (a hidden enemy), is trying with all his might to thwart Abrikosova's plan. Having chosen Asal as her assistant, the girl soon achieves a record output and, thereby, provokes Rizaev to an open crime.
Mikhail Yegorov, Boris Kazachkov
Director
Khalima Nasyrova
Asal
Lyutfi Sarymsakova
Asal’s mother
Rakhim Pirmukhamedov
Hasan
Elena Pavlova
Natasha Abrikosova
Shukur Burkhanov
Rustam
Asad Ismatov
Rizaev
Mukarram Turgunbaeva
Asal’s friend
Zamira Khidoyatova
secretary of the party committee
Kudrat Khodzhaev
major of state security (uncredited)
The film's Incluvie rating is off the charts. It features Black, Muslim, queer, trans humans whose moms hold them up, fight for them, and love them for who they are...making anything possible.
Looking back at the representation of different cultures in the magical world of Harry Potter
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.
The genres of science fiction and fantasy are not exclusively masculine territory. Over the last few decades, female directors have brought to the screen some of the most visually stunning, intellectually daring, and deeply moving works of speculative fiction. From big Hollywood productions like Wonder Woman and Captain Marvel to independent low-budget films, women filmmakers are making a name for themselves around the world.
Two movies that do a fantastic job in conveying the ongoing struggle for racial justice are Selma (2014) and Just Mercy (2019).
In 'Maestro,' we're left with an impression but not with an understanding of the main character.