Twelve Mexicans, scattered across different cities worldwide, capture their personal experiences during the early days of the 2020 pandemic lockdown. With only the resources at hand, they document their daily lives, reflecting the uncertainty, confusion, and anxiety that marked this unprecedented moment in history. From the relative comfort of isolation at home to the vulnerability of those at risk of losing their jobs or fighting the virus on the front lines.
The history of Hollywood is as ugly as it is beautiful. Most notably absent from Hollywood history are Black-produced films. “They’ve Gotta Have Us” explores the rise of Black cinema.
Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.
A homeless girl faces depression and uncertainty during the holidays.
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.
Like all modern societal phenomenons, it started with a meme. This one highlighted that when there’s a mom in a Pixar film, she is almost without fail given striking curves that highlight the bottom half of her body following a minuscule waist. From Elastigirl to the skeletal Mama Imelda, the animation giant’s artists seem to have a fixation on making exaggeratedly curvy maternal characters.
A spoiler-free review of 'Glass Onion: A Knives Out Mystery,' highlighting the way the modern setting and current social climate once again influence Johnson's approach to the whodunit narrative.
