Summer is ending and so are the holidays. Around Balthazar, 13, the adults are getting the barbecue ready. His cousins are getting dressed to go out and party, and his big brother is ignoring him. Balthazar, meanwhile, is texting with Tom — the only one who doesn’t treat him like a little kid.
Mai yells what every parent dreads hearing from their child: “tao ghét mày” (“I hate you”) and runs from the scene, where Hai discovers that Mai was telling the truth about the wallet.
Miley Cyrus makes a revival in this Disney+ documentary on her recent album Endless Summer Vacation.
The film reminds us to remember the people who had the courage and dignity that had made the world better, even when the memory was absent.
Knives Out doesn’t just defy the whodunit narrative, it uses the weaknesses to its advantage. It’s well aware of the genre’s faults and tropes
It’s 2021 and what few LGBTQ+ films that are produced by major film studios continue to star cisgender heterosexual actors, rather than actual LGBTQ+ people.
Omaha reminds us of what it can feel like to look at old family photographs. You sit with the bittersweetness, allowing it to wash over you; not drowning in it, but certainly affected by it.
