Afterlife of the Party: An Exploration of Female Friendship
Netflix's Afterlife of the Party might fall into the rom-com genre, but it's much more about grief, strong female friendships, and platonic love than it is about romance.

A traditional theatrical form intended to be epic, with spectacular stories, sets, make-up and costumes, the invention of kabuki is attributed to a priestess, Okuni, in the early 17th century. This street art quickly moved to theatres and has survived to the present day, remaining very popular in Japan. In 2020, when live theatre performances were cancelled due to the COVID-19, a young kabuki actor, Kazutaro Nakamura, assembled a unique team of artists consisting of classical dancers, traditional musicians, and kabuki actors to propose ART KABUKI, a sumptuous filmed performance enhanced by the latest technological advances in the stage arts. The staging of this show would based on three themes: play, beauty, and life. This message of hope would not only be for the Japanese people, but a source of comfort for people around the world.
Netflix's Afterlife of the Party might fall into the rom-com genre, but it's much more about grief, strong female friendships, and platonic love than it is about romance.
All in all, 47 Meters Down: Uncaged is a film I would recommend. It promotes the bond of sisterhood, which in this case is clearly thicker than blood, as well as courage. No one truly knows how strong they are until they go through something unimaginable and come out changed for the better.
This surprisingly clever romantic comedy perfectly balances genuine heart with wild reality television chaos. It is an uplifting and funny reminder that second chances and real community can show up exactly when you stop looking for them.
The social issues The Half of it takes on are handled well, between the antagonization brought on to Ellie for her race and the conflict that arises from her being gay. Both aspects of her character are built up over the course of the film and don’t seem abrupt or rushed. The film shows racism towards Ellie and her and father in varying levels, from having her schoolmates specifically address her as "Chinese girl” to the fore mentioned way her Dad is treated due to language barriers. The same can be said about Ellie being a lesbian. While she never truly “comes out” in the narrative, that does not undermine her journey of self-discovery from being meaningful. These ideas aren’t thrust upon the viewer in a preachy manor, the scenarios that occur feel believable given the rural setting. The film presents watchers with problems whom those like Ellie may face, and leaves us to sit with them and reflect.
Billy Eichner provides a hearty dose of good old fashioned romance with a lot of laughs
Considering the runtime, I expected each scene to hit harder as opposed to a series of montages and vignettes.