Lee is a superstar police detective in Taipei. After losing his team during a crime investigation, he is haunted by guilt and transferred to a rural police station. Traumatized by the incident, Lee develops amnesia—but is determined to keep it a secret. Soon, he is assigned a new case: the kidnapping of the son of an influential Japanese businessman. As his memory continues to fade, Lee can only rely on his instincts—which, against all odds, lead him to the criminals.
Written and directed by Eva Victor, who also plays Agnes, the main character, Sorry, Baby is slow and artsy, but extremely effective. It shows how the trauma developed after a sexual assault has a ripple effect and loudly echoes in the victim and her life for years after.
This Disney+ movie is about a 12-year-old math genius who wants to become a rapper.
The Loud House movie follows Lincoln Loud and his 10 sisters taking a family vacation to see their ancestors in Scotland.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
Intergenerational friendships and community can be so powerful, and this was a great example.
The tale of two friends spans three films and gives wonderful representation for young girls everywhere.
