‘The Wrong Missy’ is a Miss
The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.

Danish documentary about the disobedient schoolboy with a talent for painting, who became one of Denmark’s greatest architects. His ideas were ahead of their time and often received criticism, but today, 50 years after his death, Arne Jacobsen's schools, town halls and libraries are still with us, and they define modern Denmark.
The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.
KIMI is the main character of this film and as much as I wish it was Angela Childs played by Zoe Kravitz, it isn't. KIMI is a smart device that works not unlike Amazon's Alexa and Google's Nest assisting in anything from home purchases to music playing all under the guise of only activating when in use.
An unlikely friendship changes the hearts of men, and helps a young boy come into his own.
It’s the most loving tribute to cinema and to Ingmar Bergman, set in world that feels so habitable that I felt like only re-watching this for eternity, because of how inviting it looks and feels.
Shortly after season two of Fleabag dropped on Amazon Prime in 2019, Barack Obama put it on his list as one of his favorite television series of the year.
Of the 28 total films I watched, just six of them were queer or featured queer characters in some way.