Watanabe Kazuma's younger brother is brutally murdered by Kawai Matagoro. However, Kazuma's vendetta is denied since the Japanese law in the 17th Century only allowed a samurai to avenge his father or older brother, but not a younger brother. This incident makes his family member Araki Mataemon face his best friend in order to clear path for Kazuma. The tension mounts as they must carry out the vengeance before the murderer Kawai Matagoro reaches the safety of a direct retainer of the Shogun.
When it comes the horror genre, I am VERY hard to please or impress, much less scare. Coming from a current mindset of appreciation for chilling, unsettling, tension-inducing efforts such as "Hereditary", "The Conjuring" (ONLY the first one to date, mind you), "Lights Out", "The Babadook", "Midsommar", "Talk To Me", "Oddity", "Bring Her Back", and the like
A young woman finds herself trapped in a crossfire of awkwardness during a nightmarish dinner party with her boyfriend's dysfunctional family.
Amsterdam is a confusing movie with a meandering plot amidst a beautiful rendering of 1930s New York
Animation as a medium of storytelling can be thought to be open to all ages and as I hope my reading will reveal, 'Nimona' could be interpreted as a transgender story.
Sorry to Bother You ultimately speaks to the unfair advantages that the country’s power structures award to those with the resources to control others, as Lift’s easy access to the media allows his opinion to be the only one that matters in the eyes of the unsuspecting and easily impressed public. Moreover, it reveals the extent to which the American Dream has any true validity. It postulates how the promise of success and fulfillment as promoted by the American Dream more often than not leads to the undoing of the individual. Interestingly, in its revealing of the American Dream as merely a facade, Sorry to Bother You wisely questions whether or not anything can really be done to undo a system that has been accepted and in action for centuries.
