San Junipero: Queer Heaven on Earth
Battles will come and go and queer people do die for their identity and fights for rights, but that doesn’t mean the gays don’t deserve their happy endings in stories.
Arabesque in G Major
A film miniature set to classical music, inspired by the music of C. Debussy. The film's narrative is guided by delicate, almost calligraphic lines that dance to the music. The lines disappear and reappear, changing shapes and transforming, blending with the colorful, abstract background.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
A film miniature set to classical music, inspired by the music of C. Debussy. The film's narrative is guided by delicate, almost calligraphic lines that dance to the music. The lines disappear and reappear, changing shapes and transforming, blending with the colorful, abstract background.
Rating:
Genre:Animation, Music
Written By:Elżbieta Kamieńska
In Theaters:
Box Office:
Runtime:4 minutes
Studio:Telewizyjne Studio Filmów Animowanych w Poznaniu
Cast
Articles You May Like
'Strays' (2023)
This anti-love young adult movie includes mature topics and dialogue.
'Young Royals' Review
'Young Royals' is a great example of positive gay representation in its two main protagonists, but the supporting characters are often frustratingly selfish.
The Discreet Insensitivity of ‘Slumberland’
The cultural insensitivity of 'Slumberland' is discreet, and can be easily overlooked in CGI extravaganza.
We're 'All Together Now' to Give a Hand
Can a homeless yet optimistic teenage girl learn to accept a helping hand?
It's Theater VS Cancer in "Don't Say Good Luck"
Netflix’s new comedy drama, Don’t Say Good Luck, is a heartwarming tearjerker as well as a love letter to the transformative power of being a theater kid. Directed by Julia Hart, Don’t Say Good Luck follows Sophie (Sunny Sandler), a theater kid who finally gets the lead role in her school’s production of Waitress - just as she finds out her mom Elizabeth (Melanie Lynskey) is dying of cancer. While the singing is by no means spectacular and Sandler’s acting is stiff, the film is grounded in the moving performance of Lynskey as a mother who wants nothing more than for her daughter to achieve her dreams, even if she can’t be there to see them.