Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

Aqueducts transport water. Images transmit the memory. Images of aqueducts are useless.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
Unknown Origins promises a cool spin on superheroes and serial killers, but ultimately delivers cheap comedy.
This animated kids' movie shows viewers two different species--jungle animals and aliens--and how both species coexist.
Hitchcock is no stranger to innuendo, as was common in that era, but there was something so sophisticated about his approach to 'Rope', and it starts in the first frame.
Produced by Vanguard Animation and released on Netflix, this animated fairytale movie has a lot of ironies as the story is told by the prince himself.
On top of the phenomenal acting, and great dialogue between the two characters, the cinematography was ravishing! The sound was outstanding! The production design was simple, yet intrinsic. The minimalistic approach in the Malibu beach house represented how little they really have going on in their relationship. The storyline may have been much simpler than "Who's Afraid of Virginia Wolf," but all the more insightful, and much more animalistic at its core.