'La Loca Y El Feminista' (MiamisFF Review): A Necessary Dialogue
She is being made to justify why she doesn’t believe he’s a feminist, instead of him having to justify his choice to claim he is one.

April 1974 saw the fall of a long lasting dictatorship. The young democracy developed in the midst of much social and political turmoil. The armed wing of a leftist group changed the future of one family - the father disappears without trace, the mother denies their past, and the son grows up with unanswered questions. As a young man, Pedro is determined to reach for answers, aided by his apparently batty grandmother. Collecting clues and meeting people who would rather prefer to remain forgotten. His inner journey leads him Portugal to Spanish through the deserted roads of Alentejo. Pedro will find himself, but there is a price to pay.
She is being made to justify why she doesn’t believe he’s a feminist, instead of him having to justify his choice to claim he is one.
By undermining the appeal and credibility of black characters, the show compromises the very idea of diversity and representation it sets to promote.
The intrepid archaeologist's latest adventure is an exciting, nostalgia-driven exploration of clashing ideologies amid ever-changing social dynamics and technological advancements.
Indie director, Niki Caro (known for 'Whale Rider') directs the live-action 'Mulan' and sets another example of strong females fighting against gender inequality.
With such a raw look at the 15th century, it seems that Disney was really trying to step outside of its element with this motion picture.
On the Road captures the bleak, hyper-masculine world of long-haul trucking in Northern Mexico, where anything can and will happen. A hard-boiled, neon-noir romantic thriller, it shows the gritty reality of roadside diners, truck stops, and truck cemeteries alongside the expansive, breathless beauty of the Mexican desert highways.