Apollo 11: A Night to Remember 

Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.

Lin-Manuel Miranda’s 'Vivo' is a children's animated musical rich in Hispanic culture! The story follows a kinkajou as he delivers a love song for a friend.

The Brazilian filmmaker Alexandre Alonso’s Hunter is a film with a lot of ideas, but with very little holding those ideas together.

Like millions around the world, I've been waiting four years for the renowned #SnyderCut. I'll never forget sitting in the theater on opening night, witnessing a CGI mouth on Henry Cavill's face about five seconds into Justice League. That's a thing of nightmares if I must say. Anyways, right then and there, I knew I desperately needed Zack Snyder's film.

Films can alleviate alienation by presenting realities where the viewers feelings are shared by onscreen characters. 'The Little Mermaid" film can be interpreted as a transgender story.

Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.