Shuichi and Nobuko are an ordinary, young couple, a promising company employee and his pretty wife. They think nothing can mar their peaceful life but nothing is permanent in this world and Shuichi's company goes bankrupt. Shuichi feels lost. He misses the good times he had at bars and cabarets, especially Hiromi, a hostess. Nobuko offers to work while he hunts for a job and finds an opening at an advertising company. But as Nobuko makes the rounds of restaurants and cabarets, she finds she cannot get ads just by dint of hard work alone. All the shop owners and managers expect her to sleep with them for each big ad they buy. At first, Nobuko is shocked but, to eat, she must meet their demands.
Adapted from a 2014 novel by Atticus Lish, Preparation for the Next Life is the feature film debut of documentary filmmaker Bing Liu. With the help of screenwriter Martyna Majok, he paints a realistic and somber portrayal of Aishe, a Uyghur immigrant, as she struggles to make a living while undocumented in the United States.
'Air' is a fun film about a company that put it all on the line for a 22 year old kid from North Carolina
Based on the bestselling memoir, viewers get a glimpse of the challenges of autistic people.
If you want to feel the rush, you have to take the risk.
Two Korean sisters must save their family after a ghost tears the family apart.
Netflix’s Shadow and Bone has a complicated relationship with race. It has a diverse cast, but not without its problems. Based on Leigh Bardugo’s two book series, the show features characters from the Shadow and Bone trilogy, which is very straight and white, and the Six of Crows duology, which is much more diverse. When bringing together a cast and writing about these characters, the team behind the show expanded upon some of the representation missing from the first trilogy, then seemed to take away representation from the duology. Shadow and Bone seems to play a bit of a push and pull game when it comes to portraying diversity onscreen.
