This Is Not How You Start a Trilogy: “Hope” Gets a Nope From Me
Despite it being one of the most visually impressive action movies I’ve ever seen, everything else fell short of my expectations.

Preeti Sengupta (Tanushree Dutta) is an airhostess living in with her boyfriend Karan Malhotra (Rohit Roy). They share a nice 2BHK apartment in the northern suburbs of Mumbai and are befriended by their elderly neighbor Madhusudan Tanha (Anupam Kher), a struggling poet and lyricist. Tanha is a loner living with his only companion, a Persian cat whom he lovingly calls Shehzadi. Preeti is possessive and has issues with trust. When she mistakenly suspects her boyfriend to be unfaithful, she throws him out of the house but soon realizes she can't afford the payment on the apartment on her own. On the advice of a fellow airhostess, she advertises for a tenant to share her apartment. Enter Neha Bhardwaj (Neetu Chandra), a modest small-town girl asking for accommodation. Very impressed by her simplicity and respectfulness, Preeti believes she has found a perfect roommate. The two girls soon become close - their camaraderie leads them to even become companions.
Despite it being one of the most visually impressive action movies I’ve ever seen, everything else fell short of my expectations.
What can I say about this Will Ferrell/Julia Louis-Dreyfus-led “dramedy?” Well, the comedy part of Downhill is completely non-existent. And I should have known that the film was a flop when I walked into an empty theater at a prime time on a Friday night.
Amberley Snyder, a young woman whose injury leaves her with a disability, shows viewers that her handicapped state won't stop her from competition.
Overall, “Dark Fate” is a run-of-the-mill flick. Together, Reyes and Davis have excellent chemistry, but their characters’ story is nothing new, lacking surprise and deep emotion. During the middle points, the film drags considerably, and when the action hits, it feels consistently tight, eliminating the rhythm and fluidity of conflicts.
The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.