Revolution is pursued for a better love, yet love gets lost in the unpredictable tides of revolution. Veteran actor Lester Chan Chit-Man directs, using the emotions of young people as a thread to connect the Umbrella Movement and the Anti-Extradition Bill protests. When emotions meet politics, social movements and love become intertwined, as four college students drift through their youth. Whispers and embraces, gazes or walking together—the nights in the occupied zones once brought us together. Documentary footage and fictional stories alternate, perhaps evoking memories of the happiness and sorrow of these past years. We thought revolution would ultimately succeed, that it didn’t matter whether we gathered or dispersed. But in the end, we became strangers scattered around the world, only then realizing that regret is inevitable in youth and that looking back always brings a sense of emptiness.
The history of Hollywood is as ugly as it is beautiful. Most notably absent from Hollywood history are Black-produced films. “They’ve Gotta Have Us” explores the rise of Black cinema.
Having Sersi be the central force in Eternals is unprecedented in its viewpoint and focus, from demonstrating a gentle type of leadership, to being overlooked in a group setting but succeeding in the goal at hand anyways, to having romantic options, to strength and integrity, and majority screen time - for a group that's given less screentime than aliens.
My review’s title is a nod to Shakespeare and is entirely deliberate. The original movie portrayed the high-end fashion world as a brutal arena of plotting, backstabbing, and betrayal, and most Shakespeare’s plays depend on these plot devices. The Devil Wears Prada 2 uses the same formula, and is, plot-wise, almost identical. Once again, we plunge into the cutthroat world of Runway, where to get and stay at the top, you must let go of your principles and moral sense. The only thing different is that due to the digital era, Runway is not a print magazine anymore, but one that is running online.
The one-way journey went to the desert that refused to offer an answer or a transcendence.
Desi Arnaz was an innovator in television and Lucille Ball was a sketch comedy clairvoyant of sorts; 'Being the Ricardos' focuses on their genius as a couple, but shies away from the interracial aspect of their marriage.
Sinister and suffocating, 2022's The Black Phone delivered more than just scares - it brought atmosphere, depth, and a villain audiences won't soon forget.
