Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

A young cavalry officer is assigned the job of bringing in a band of Apaches who have been terrorizing the countryside.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
Make no mistake about it, Gilligan has created a continuation that earns its place in the annals of Breaking Bad lore. El Camino isn't a forced entry in an otherwise brilliant world of fiction. This is a satisfying take, which manages to give closure to an iconic character of fiction.
We chat with Penelope Lawson about her short film, The Dinner Party, her experience founding her own production company, and fun cinema.
Tom Clancy's Without Remorse has everything a movie director from the 80’s could wish.
One of the reasons that people with albinism have a difficult time being seen and represented in media is probably because there is a small percentage of them.
Ultimately, Wicked is a story about the cost of being othered, the pain of being misnamed, and the quiet revolution of standing in your truth.