The White Boy Saved Us All Again in Gladiator II
A direct fall into the white savior narrative

The protagonist, Shippei Iida, moves with his mother to the remote island of Origoshima. He transfers to the island's only high school, Origoshima High School (nicknamed "Oriko"). However, shortly after his transfer, it's announced that Oriko will be merged with a regular mainland school. Naturally shy and with few friends, Shippei is touched by the warmth of the islanders and his fellow students. Wanting to create a final memory at the school, he proposes that all the students perform a choral song together. But this very choir becomes the spark that drives a wedge between his friends' hearts…
A direct fall into the white savior narrative
The multifaceted musical represents America in the 1960s and the battle against bigotry as an ensemble cast portrays how to fight for the limelight.
People are so much deeper and far more extraordinary than what gender they were assigned at birth.
The Invitation takes a creeping look at two simple premises: reuniting with forgotten friends and new-age spiritualism. Though one seems a bit scarier than the other, the film heightens social awkwardness to a macabre level that puts an uncomfortable look on when the social taboo of grief is put on public display.
One of the reasons I love watching movies is that, much like books, they serve as windows into other times and different places. Productions from around the world offer valuable insights into the history and culture of their respective countries. And just like literature, cinema can help us understand the present by showing us the past.
The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.