Ação e Dispersão 

On top of the phenomenal acting, and great dialogue between the two characters, the cinematography was ravishing! The sound was outstanding! The production design was simple, yet intrinsic. The minimalistic approach in the Malibu beach house represented how little they really have going on in their relationship. The storyline may have been much simpler than "Who's Afraid of Virginia Wolf,"  but all the more insightful, and much more animalistic at its core.

Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.

The idea of Rosemary's baby but with lesbian partners drew me in, and I was anticipating what the film had in store with its reimagining. Unfortunately, it all felt a little too vague to leave an impact.

Unfortunately, People We Meet on Vacation didn’t hold up quite as well as I’d hoped.

Lili Reinhart and Tom Bateman starred in the new Amazon Prime Video film, The Love Hypothesis, based off of the popular romance novel written by Ali Hazelwood. For those who have not read the book but love a good romance story, this film will easily grab your attention and your heart. And for those who are fans of the novel, it is safe to say they were pleased by this adaptation. Because even if you are bad at science, it is easy to see the chemistry between these two characters.

“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.