A Diwali Dilemma: A Direct Inner Conversation about Minority Struggles
Mala tripped over in a company Diwali party, which led to unexpected visits and realizations.

The shy writer Stephan is tired of life in the big city. He is looking for peace and seclusion and that is exactly what he hopes for when he goes to a cabin in the mountains with his girlfriend Mia. With Stephan, inspiration soon sprouts and he gives himself to write. Mia, on the other hand, who has been skeptical of her lonely holiday from the beginning, suffers from frightening nightmares. When Stephan realizes that reality is mixed with what he writes, it is too late. Stephan has raised a demon and Mia is his prisoner.
Mala tripped over in a company Diwali party, which led to unexpected visits and realizations.
The concept of male fragility is explored (interestingly, by a male director) in The Sun Never Sets
This coming-of-age movie discusses immigration issues in the United States through the eyes of two exchange students in Brazil.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
“Candyman ain't a 'he.’ Candyman is the whole damn hive." Candyman represents all Black victims of white supremacy, and this art form narratively conveys it in a succinct, adulatory way, the history of which is rare to find.
The sequel to the 2010 live-action movie focuses on sibling rivalry.