Dia Frampton Talks Her Career and Roles
Richard speaks with Dia Frampton about some of her experiences with acting and music.

Jean feels trapped in the logic of longevity that the pharmaceutical industry imposes on him and decides to plan a conscious suicide. He invites Helena to commit suicide to two. She, on the other hand, hesitates, knows that she will live well even if she needs to live alone, but she helps him in his intentions. The silence between them does not reveal distance, but intimacy. These are years of shared affection. Together, they will prepare all the details for the funeral. He dances death while she continues rehearsing life. In the process, the two realize that before the end, there is still a lifetime.
Richard speaks with Dia Frampton about some of her experiences with acting and music.
GOAT (2026) opens to the chanting of a crowd: "Roots run deep!" The rest of the film goes on to echo that sentiment, offering gorgeous animation and a heartfelt story along the way.
Over the last several years, I have had the privilege of being one of the critics having the opportunity to watch and review several films from writer/director/producer Marcellus Cox, whose efforts are never anything less but grounded, relevant, and steeped in unflinching glimpses illustrating the gripping, inspired, and ever-vacillating realms that make up the human condition.
Hokum is an enjoyable horror film that will probably get a little under your skin, but it isn’t the tour de force that you might be expecting.
The sequel following The Son of Bigfoot explores Adam's conflict of discovering his true identity as he tries to save a wildlife preserve.
If you’ve been itching for a sign to finally go on that unforgettable summer camping trip, this is it.