Anja Ganja 

It doesn’t offer an absolute answer for the dialectical ethical questions that emerged in search of justice but portrays the characters as living people beyond the identities of victims.

Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.

Sinister and suffocating, 2022's The Black Phone delivered more than just scares - it brought atmosphere, depth, and a villain audiences won't soon forget.

The intrepid archaeologist's latest adventure is an exciting, nostalgia-driven exploration of clashing ideologies amid ever-changing social dynamics and technological advancements.

By having two of its most beloved characters go to space in a Pontiac Fiero attached to a rocket, among other antics, F9: The Fast Saga overwhelmingly achieves the task of out-crazy-ing its predecessors.

A homeless girl faces depression and uncertainty during the holidays.