Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

Anita O'Day: Live in Tokyo '63 poster

Anita O'Day: Live in Tokyo '63 (1963)

Celebrated jazz vocalist Anita O'Day, known for her inventive improvisational style and rhythmic instincts, puts on a swinging performance in this vintage 1963 concert filmed in Tokyo. Songs include "Boogie Blues," "Trav'lin' Light," "Honeysuckle Rose," "Avalon," "Bewitched," "You'd Be So Nice to Come Home To," "Night and Day," "Let's Fall in Love," "Sweet Georgia Brown," "Tea for Two" and more.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Celebrated jazz vocalist Anita O'Day, known for her inventive improvisational style and rhythmic instincts, puts on a swinging performance in this vintage 1963 concert filmed in Tokyo. Songs include "Boogie Blues," "Trav'lin' Light," "Honeysuckle Rose," "Avalon," "Bewitched," "You'd Be So Nice to Come Home To," "Night and Day," "Let's Fall in Love," "Sweet Georgia Brown," "Tea for Two" and more.

Rating:
Genre:
Directed By:
Written By:
In Theaters:1/1/1963
Box Office:

Runtime:

Studio:

Cast


Director

Director

noImg
cast

Anita O'Day

Articles You May Like


Short Film Review “With Arms Raised” A car ride, conversation, what we’ve experienced, personal judgements, and what we resort to is explored with both enigmatic then striking impact

“And I think to myself….what a wonderful world”. Louis Armstrong sang about this notion via his classic 1967 song, an ode to witnessing elements of our life that should be but some reminders of exactly what that concluding line of each verse indicates. Now we see our contemporary realities and, just being honest, it makes a sentiment like this seem SO overtly far away….perhaps even impossible….to accept or believe could be. It sounds harsh, but again, so much of what is occurring speaks not to beauty, but bedlam.

Kirk Fernwood

"The Father" is a Depressing But Insightful Look at Dementia

With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.

Matt Geiger